Marcel Van Den Broecke, whose fascinating work on Ortelius and his maps is often quoted, estimates that around 7300 complete atlases were published using a total of 234 copperplates, either replacements or reworkings as plates became out-dated, worn, or as new information became available. Over 30 different editions, with text in Latin, French, Dutch, German, Italian, English or Spanish, testify to the popularity and esteem attributed to the work. Between 15 (the publication of the last recognised edition of the Theatrum …) few competing volumes appeared and the atlas was able to expand from its original 53 maps to over 160. It was also an immediate commercial success, being reprinted four times in 1570. The atlas achieved instant fame as “the world’s first regularly produced atlas” (Skelton), being the first atlas with maps prepared to a uniform format. Having already become probably the greatest cartographic bibliographer of the period, Ortelius was able to prepare 53 map sheets based on the most up-to-date information, which were engraved by Frans Hogenberg, and first published in 1570. At this time, Ortelius also began preparing his greatest project, the Theatrum Orbis Terrarum. His life spanned a period of dramatic European history and the cultural enlightenment of the late Renaissance, while his friendship with the great Gerard Mercator, and other connections with like-minded geographers, historians and academics around Europe, provided the raw material for one of the landmarks of cartographic history.įrom about 1560, possibly as a result of his friendship with Mercator, Ortelius began to produce maps - an eight sheet world map being the earliest. Ortelius was certainly the “man for the moment” whose interest in history and the classics translated itself into his maps of the ancient world and, through his draughtsmanship and cartographic skills, the production of his maps of the modern, emerging world. From 1558 onwards, he is recorded as purchasing multiple copies of maps in order to colour them, but also began building up a large personal collection. Following the death of their father, Abraham Ortelius (1527-1598) and his sisters became map illuminators or colourists and Ortelius also dabbled in buying and selling general antiques.
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